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Betty Nicholson's home at 52 Montagu St is pictured on the cover of Liz Winfield's book, photo courtesy of Fiona Cook.

 

 

Betty Nicholson

Betty Nicholson has a special place in memory for the poets in Tasmania. Several writers make reference to her on this site:

  • Robyn Mathison in her speech launching Liz Winfield's 'Too Much Happens
  • Tim Thorne in his speech launching Eric Beach's 'Weeping for Lost Babylon'

Her home at 52 Montagu St New Town became a symbol of Betty's own warmth; the phrase, generosity of spirit, is not enough to describe her insistent, comfortable and mothering hospitality. Her home was a hub and hearth for many in the Hobart writing community and indeed the Tasmanian writing community.

Literary occasions at 'Number 52' were always relaxed, cheerful. Robyn Mathison's description of her hospitality is so accurate. Betty's large and fascinating home was well-known as the venue for readings, workshops and poetry masterclasses organised by the Fellowship of Australian Writers (Tas). It was frequently the venue for book launches. It was often the venue for talks by visiting political figures, refugees. I am sure I am not aware of half of what happened there, whom she nurtured and protected. Someone from somewhere fraught and far-flung was always staying over. After her death, the hospitality seemed to continue -- somehow people still 'stayed over'.

New to Australia, I was invited by Betty to come along on to Number 52 on Saturday afternoons to read my work with her friends. Accepting, I found myself privileged to sit in on poetry readings from her old friends Terri Moore, Vera Read and Norma Knight -- sometimes daughter Karen Knight. I regret not being able to spend more time there.

On one such occasion, Betty produced a poem after a bit of a hunt from the depths of a pocket, an astounding poem, jotted down on the back of a shopping docket. I hope someone has collected these and that they will find their way to print some time.

The house with its massive cyprus tree hedge and high wooden fence are still there; the garden or what I can see of it when I walk my dogs looks as if it might still be the same but in my imagination, the bee hive on the wide verandah and the and the rambling garden will remain untouched.

Something is missing without Betty Nic.

Anne Kellas, April 2003.

 

 

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